A Visual Archaeology
I stratify time to create images
MY APPROACH
I am a visual artist and I work through photographic stratification. My method: collecting dozens of photographs — ancient and contemporary faces, geological formations, artifacts, materials transformed by time — then overlaying and merging them to create composite images of great depth and complexity. A single work can result from the fusion of 50, 100 photographs whose patterns and colors blend to generate new impossible forms. My images are never finished: they evolve with my research, transform, reinvent themselves.
MY RESEARCH
My creative process embodies three philosophical inquiries:
The transitional zones between the non-living and the living Where does life begin? My stratifications explore this fascinating in-between by merging mineral matter and organic forms.
Temporal stratification Time does not unfold linearly. By superimposing eras, I represent a subjective, fragmented, layered human memory.
The gaze as presence The eyes that traverse my images are not mere motifs. They constitute a presence, a witness that observes us as much as we observe it.
FROM IMAGE TO ARTWORK
I print my creations myself on museum-grade art papers (Hahnemühle, Canson, Munken, Epson) with archival inks. This complete mastery guarantees faithfulness to my vision and the longevity of the prints.
My works then take three directions:
→ Private and public collections
Limited edition works, numbered and certified, sold directly or through partner galleries.
→ Complex artistic projects
Site-specific installations, hybridizations with physical materials, landscape interventions for institutions and galleries.
→ Exceptional decoration
Decorative panels, friezes, wallpapers, and patterns for publishers and high-end spaces.