About

I am a visual artist. Through photography, I create images that transcend their original medium to enter the realm of painting and drawing. My process is based on stratification. I collect dozens of fragments from the world: ancient and contemporary faces, geological formations, buried artifacts, materials transformed by time. These photographs overlap, merge, and dialogue with one another. Their patterns and colors blend to generate new forms, new colors. Each image is a composite archaeology, a sedimentation of gazes. My images are never finished. They constitute a material and temporal stage in an ongoing research process. I transform them, revisit them, reinvent them throughout my aesthetic and philosophical inquiries, of which they are the visible embodiment. My research explores the transitional zones between the non-living and the living, uses temporal stratification as an instrument for representing a subjective human history, and questions the gaze as presence within representation. I print my works myself on Hahnemühle, Canson, Munken, or Epson art papers. This mastery of the production chain ensures faithfulness to my vision and the longevity of the prints. My images then take multiple directions: private or public collections, site-specific installations, landscape interventions, exceptional decoration, textile and stationery editions.